IN PRINT

A commentary: splayed, still | Chop Chop, Rosie’s Disobedient Press, May 2026

Nitpicking | Rosie’s Disobedient Press, March 2025

Review of May Day | Gutter, August 2024

Keepspace - Community, Permanence and Drylongso’s Spaital Practices | Edinburgh International Film Festival’s From Troubled Dreams Under a Glare of Sky, September 2023

On Annotations | Extra Teeth, May 2023

ONLINE

In Conversation: Khartoum | Jali Collective Journal, April 2026

Discussion: The Heart is a Muscle | Jali Collective Journal, March 2026

Centring Black, African and diaspora audiences in Scotland | Jali Collective Journal, February 2026

Hayley Tompkins: surroundings @ The Modern Institute, Glasgow | The Skinny, September 2025

Corin Sworn on new film On Weaving | The Skinny, April 2025

Absence/Presence of Maud Sulter’s You are my kindred spirit | Tramway, March 2025

Longing for a child and waiting for a moment, Responding to Rat Tails (WIP) by Jeremy McClain | Fringe of Colour Responses, August 2024

Movement and Material: In conversation with Delaine Le Bas | The Skinny, July 2024

The Beast: Film Review | The Skinny, May 2024

Earth Mama - Programme Notes | Glasgow Film, December 2023

In conversation with Wooosh Gallery | The Skinny, November 2023

Extended to Attract and Repel | MAP Magazine, September 2023

Land now fantastical when jarred | MAP Magazine, August 2023

To hold, to touch and to shape Black Scottish History, responding to maud. by Natasha Thembiso Ruwona | Fringe of Colour Responses, June 2023

On oil, Drexciya and building pressure, responding to Black Gold by Ashanti Harris | Fringe of Colour Responses, June 2023

Swipe Left | gal-dem, January 2023

Why is everyone so obsessed with frontal lobe development? | Dazed, January 2023

Learning red with Glasgow’s Red Sunday School | The Skinny, May 2022

Over the last year in lockdown, smell and nostalgia are more connected than ever | gal-dem, April 2021

Is support growing for a radical, anti-racist independent Scotland? | gal-dem, August 2020